/Jane Doyle
Jane Doyle
College Of The Holy Cross, 2025, Studio Art, Pre-Med Track
Yellow?
acrylic sheets, cardboard, newsprint, clay, acrylic paint, suspension cable, wooden dowels
11” x 8” x 16”
2024
Titled “Yellow?” this is a sculpture of a payphone where the phone piece is a banana. The artist hoped to bridge the elements of handmade and machine rendered work by sculpting the phone out of cardboard and clay, but installing it in a laser cut acrylic booth. Ultimately, she wished to construct a piece which reconnects her to the psyche of herself as a child, striving to answer the question, “if I was ten again, what would I want to create?”
Jane Doyle
College Of The Holy Cross, 2025, Studio Art, Pre-Med Track
Untitled
plywood, spray paint, acrylic paint, 3D printed filament, canvas, Styrofoam, hot glue
14”x 8” x 10”
2024
This piece is a visual documentation of the artist’s current and ongoing experimentation with 3D printing organic forms (i.e. the figure’s legs scanned from a volunteer). The artist wanted to create a an object that appears to be taken out of a cityscape. She explored various methods of weathering techniques to further distress the piece making it appear more realistic to the kind of urban environment it drew its inspiration from.
Jane Doyle
College Of The Holy Cross, 2025, Studio Art, Pre-Med Track
my janie
cardboard, plywood, acrylic paint, acrylic sheet, 3D printed filament
4.5” x 4.5” x 4.5”
2024
Inspired by the “arte povera” movement, this work incorporates found material (discarded cardboard) into a piece primarily constructed from 3D rendered imaging of the artist and laser cut materials. The scene serves as a visual representation of a “fragmented” or incomplete perception of the self.
Wyatt Asgarian
Jane Doyle
Ella Fletcher
Melia Cook-Wright
Erin Melley
Jeremiah Keefe
Alexander Wegner
John Carney (Instructor)
Mail Art 24 – Saturation
collection of small sculptures, wood, plastic, paper
14″ x 16″ x 8″
2024
This collection of mail art was inspired by the Fluxus movement. The seven student artists involved used the concept of Saturation as jumping off point for their creative approach to the collection, with each artist making ten editions of each work. The collections are individually mailed to ten recipients, each receiving an entire identical set of seven works. Each piece represents the artist’s interpretation of “saturation,” some engaging with color while others explore sound, thought and environmental meanings.