/B. Lynch
@blynchstudioart, https://www.blynchart.com/
B Lynch
Endless
mixed media including ink, cardboard, embroidery, wood and string
9″ x 7.5″ x 1.75″ closed, 9″ x 14.5″ open
2018
$1,800
“Endless” is a book about the humbleness of work and the adage that it is never done. But it also asserts life needs food: for thought and to power ourselves. The worn exterior and white ink on black paper drawings reflect the homely themes.
Instagram: https://www.instagram.com/blynchstudioart/ website: https://www.blynchart.com

B Lynch
Treasure More
mixed media including mink fur, embroidery, velvet, satin, and tassels
14.5″ x 11.5″ x 2.5″ closed, 14.5″ x 24″ open
2018
$3,500
The materials that create the book “Treasure More” comment on the greedy. The book’s mink fur cover and velvet ruffles (the former mink coat was someone’s grandmother’s garment when I bought it in 1989 at a yard sale), elicits sensory luxury. The satin and brocade embroidery boldly state treasure and treachery are linked, and that more is more. They can never have too much.
https://www.instagram.com/blynchstudioart/ https://blynchart.com/

B. Lynch
Red Queen
Inspired by: Harold Edgerton, Milkdrop Coronet
lino-block print: red ink on pink toned paper
6″ x 4″
2021
The coronet is a metonymy for a Royal Person. The “Red Queen” is printed with red ink on pink toned paper enhancing her redness which the red bowl and reflections do to the milk droplet in Edgerton’s photo. The “Red Queen” also calls to mind the character in Lewis Carroll’s “Through the Looking Glass”. That queen is irascible, forceful and capricious. The milk-drop’s forceful splash echoes that feeling.
@blynchstudioart, https://www.blynchart.com/

B Lynch
Waiting
Inspired by: Jules Aarons, West End Meat Market Mixteca-Puebla Artist, Tripod Bowl Paul Quain, Loading Cattle, Aran
paper, wire, foil, paint, cardboard
13″ x 8″ x 6″
2019-2024
“Waiting” is a tableau, the elderly man sits with his bowl/pot awaiting the finishing of the cooked fish on the coals. His surroundings are bleak. The graffiti and uncomfortable seating signal his lack of agency. No comfy cheerful kitchen for him. The tripod cooking pot, the waiting and watchfulness of the “West End Meat Market” and the rough utility of “Loading Cattle” all spoke to me as I created this tableau.
@blynchstudioart