Deleon, Eve

/Eve Deleon

@jadarisaurus

Eve Deleon

Clark University, 2024, Geography

Entrelazadas

casting plaster, corn leaves, corn granules, paint, adhesives, and various metals on wood

12″ x 17″

2022

Crafted from corn, “Entrelazadas” delves into the complex narrative of my bicultural identity and the historical trauma endured by the Maya people. On one hand, I shape a representation of life, sowing seeds on fertile ground, embodying cultural resilience of my community. The other hand, engulfed in ash and gripping a grenade, symbolizes the profound conflict and suffering imposed upon Mayan communities. This dual imagery reflects my United States-born privileges and the heavy legacy of settler colonialism. It serves as a profound commentary on the United States’ involvement in the Mayan genocide.

@jadarisaurus






Eve Deleon

Clark University, 2024, Geography

Kukulkan y la Mina Marlin

paint, plaster, insulation foam, EVA foam, adhesive, Apoxie Sculpt

12 in x 24 in x 24 in

2022

Kukulkan, a prominent figure in Maya mythology, is the feathered serpent deity embodying both natural and civilized elements. Revered by the Maya as a symbol of wisdom, knowledge, and creation, and held profound significance in Mesoamerican cultures. In 2005, Montana Exploradora displaced numerous families in my home state of San Marcos, promising alternate housing and compensation. In this scene, Kukulkan’s presence emerges amidst the remnants of a village, seeking retribution against those who violated the rights of indigenous people and the land of San Miguel Ixtahuacán, where the now abandoned mine stands as a testament to the injustice perpetrated.

@jadarisaurus






Eve Deleon

Clark University, 2024, Geography

El Último Adiós

ink on paper

15″ x 12″

2023

In Guatemala, our burial traditions involve a community pilgrimage carrying a deceased family member’s casket to their final resting place. When my cousin Luis Emilio passed away, I observed the somber procession remotely in the comfort of my college apartment. In “El último Adiós,” my beloved cousin’s truck—adorned with roses—becomes a symbolic vessel connecting the living with memories. In times of profound grief, art, like this, becomes a window to shared joy and pain, navigating turbulent emotions. The vibrant ritual signifies more than burial traditions; it bridges the gap between the world of the living and the realm of memory.

@jadarisaurus